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Archive for March, 2008

And Why Name A Namba Gear Product After A South Pacific Narcotic?

Wednesday, March 26th, 2008

In continuing my story of the wonderful things we learned in J. Maarten Troost’s book, Getting Stoned with Savages, we’ll push ahead to the “getting stoned” part of the book. If you haven’t read the first bit ‘o blog,  go to: The Danger Of Reading Travel Essays When You Are Trying To Name Your Company. But first, I want to give my disclaimer right here and now that I/we do not endorse nor condone nor even suggest non-prescription or illegal narcotic usage, but only present the following information for the edification of our interested readers… whom we are sure would never imbibe or participate in any illegal narcotic usage themselves. OK, then.

Preparing the Kava in VanuatuKava is a (quite legal regionally) narcotic liquid that is used in Fiji, Kiribati, Vanuatu and the South Pacific islands in general. We even stumbled upon some photos of Prince Charles having a shell of Kava. Some cultures reserve it for special celebrations; others restrict the use to men only, while other cultures think of Kava like we think of “happy hour” at the neighborhood bar. So pay close attention as here is what Mr. Troost has to say on the subject.

We Humans Are A Mysterious Species

“Fortunately, I was now in Vanuatu, where getting profoundly stoned every night is a venerable tradition. In the gold hour before sunset, the men of Vanuatu gather in a nakamal, typically a clearing under a banyan tree, where they consume kava, which, to the uninitiated, is the most wretchedly foul-tasting beverage ever concocted by Man. Kava derives from Piper methysticum, a pepper shrub that thrives high in the hills of Vanuatu. Traditionally, the kava is prepared by having prepubescent boys chew the root until it becomes a mulch of pulp and saliva, whereupon it is squeezed through coconut fiber, mixed with water, and swallowed all in one go from a coconut shell. Pondering this, you have to wonder And whose idea was that? I could not think of any circumstance where it would occur to me that consuming some kid’s globby spitballs might enhance my well-being. But we humans are a mysterious species, willing to try anything for a buzz, and fortunately for us, a long time ago, somewhere in Vanuatu, and enterprising individual discovered the secret to the most satisfying narcotic available for our pleasure.”

A few pages later in the book, we have this exchange.

“It doesn’t look very appetizing,” Sylvia said. “It looks like muddy water.”

“Wait till you taste it,” Patricia added. “You’ll wish it was muddy water.”

…What concerned me, however, was not the taste but the possibility that this bowl of swirling brown liquid may have had as one of its essential ingredient the spit of unseen boys, which, frankly, I found a little off-putting.

The Red Light Is On and The Kava Bowl Is Ready…Those of us who had had more than a couple of shells had become strangely mute, as if lost in some distant reverie. I was happy to note that I wasn’t the only one who had lost the urge to speak. This wasn’t from any lack of sociability on my part. Indeed, I was beginning to feel as one with all. Sam was seated next to me on the bench. He turned to me and said apropos of nothing: “America.” It wasn’t a question, just a word, an image, an idea, and it hovered between us for a long moment, enveloping us. We silently communed about this thing called America. “Yes,” I said finally, after we had exhausted the topic.

…It was two days before I returned to Earth, and many more before I ventured to another nakamal. I felt like I had been mugged, taken unawares, slugged from behind, and now I was wary. …”I asked the people at work, ” Sylvia said, “And they said you had way too much kava. You should have stopped at two shells.”

“Well, maybe they should put a warning label on their kava.”

So with this little story, we bring you the Kava Laptop Studio Bag from Namba Gear, which like the earlier disclaimer has nothing whatsoever to do with illegal drug usage; and I know that you are scratching your head looking for the tie-in for the bowl of Kava and a laptop bag. Let me put your mind at rest… other than the fact that there is still so much that is wonderous and unknown about the people of earth, there is none; Kava is just such a cool name we had to use it.

By the way, if you have ever had Kava, give us a shout and let us know about your experience and if Mr. Troost described it accurately.

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Jason Miles - Namba Gear Featured Artist

Sunday, March 16th, 2008

Jason Miles and his Kava Laptop Studio BagNAME: Jason Miles (Grammy Award winning producer and recording artist)

LOCATION: New York

WEBSITE: www.jasonmilesmusic.com

FAVORITE MUSIC SOFTWARE: Ableton Live

Namba Gear: Kava Laptop Studio Bag

GIVE US A BRIEF BIO: I am a producer, arranger, Composer, keyboardist and conceptualist.

I have been in the music business for many years and have seen many generations of  the business-It is always changing-I have had the good fortune to work with some of the best artists of the last 30 years: Miles Davis, Luther Vandross, Sting, Marcus Miller, Michael Brecker, Chaka Kahn, Suzy Bogguss, and many others.

I am now looking at the next generation of great artists as they will be the ones to lead the music and the business through the next 25 years

TELL US ABOUT YOUR LATEST PROJECT, RECORDING, OR PERFORMANCE: I have a few new projects:

Soul Summit Live at The Berks Jazz Fest was just released on Shanachie.
Global Noize with myself and Dj Logic and a cast of incredible artists like Me’Shell Ndegeocello, Karl Denson, John Popper, Vernon Reid - It will be released on April 29th and we are going to play live-check www.myspace.com/globalnoizejazz.

I recently produced-Suzy Bogguss-Sweet Danger.

Travis Sullivans Bjorkestra-Koch records-Jan 22 release.

WHAT DO YOU LIKE BEST ABOUT YOUR NAMBA GEAR BAG? Very ergonomic-it is comfortable to wear and you can carry so many essentilal items that are important to the everyday life of the musician/artist/whatever!!

TELL US ABOUT YOUR FAVORITE REMOTE RECORDING LOCATION: On the top of a mountain recording natural sounds of the earth.

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Volker Barber - Namba Gear Featured Artist

Thursday, March 13th, 2008

Volker Barber with his Kava Laptop Studio Bag NAME: Volker Barber of Fast Forward Music (ECHO Award winning recording artist, producer and studio owner)

LOCATION: Frankfurt, Germany

WEBSITE: http://www.fast-forward-music.com/

FAVORITE MUSIC SOFTWARE: Steinberg Nuendo, Scope V5

Namba Gear: Kava Laptop Studio Bag

GIVE US A BRIEF BIO:   I am grateful that music has been my life in many different ways. I started out  playing in bands, winning the German ECHO Award (similar to the US Grammy), I was a demonstrator for the PPG SYSTEM, worked as a keyboardist and arranger for acts like Meatloaf and Milli Vanilli and I’ve built a very successful studio called Fast Forward Music with music composition, production and post pro business here in Frankfurt!

TELL US ABOUT YOUR LATEST PROJECT, RECORDING, OR PERFORMANCE: Luckily it is of great variety. We’ve been doing new brand songs for Adidas and Pharma, working on compositions for a new audiobook for a commercial client, writing the score for a new PC game that was contracted in China.  FFM just wrote the score for a corporate film for ELCOTEC ( NOKIA & BLACKBERRY), we did the composition and production of the title song for Julius Caesar, which aired on German TV and scored a Prime Time “Love story” type of movie.

We also produced the Chinese girl band JADE (4 winners of a CHINESE IDOL type of show), the first Artist out of the PRC to be internationally released. We entered the German sales charts with them. We also produced well over 100 radio shows each 45min, composing all the ads, jingles and trailers. Sometimes we had 4 shows simultaneously on air with a technical reach of over 700 million people. The latest news is that FFM was recently asked to contribute a composition for EXPO 2010 SHANGHAI.

WHAT DO YOU LIKE BEST ABOUT YOUR NAMBA GEAR BAG?   Fashion, quality and the right idea of storage. With this bag you comfortably carry your laptop and audio interface anywhere. It is a real quality product that looks the part in addition to performing the function. I think that European’s have a sense of style for this type of combination.

TELL US ABOUT YOUR FAVORITE REMOTE RECORDING LOCATION: Well, because our studio is very convenient, I haven’t done a lot of remote recording. However, I have been making a lot of trips to Los Angeles over the past years and my business with Chinese clients has just expanded, so maybe the Namba bag is the beginning of taking my music, Fast Forward-style on the road.

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You Must Read “Here, There and Everywhere”

Friday, March 7th, 2008

Guest Blog by GuitarJunky 

If you haven’t read “Here,There and Everywhere” by Geoff Emerick, you must.  Ever since this book was recommended to me by a friend, I’ve tried to tell all my musician buds about it.

I know, you’re thinking this is all about another old guy and his memories…yada, yada, yada!!!   But, this time it’s about so much more.

For some background, it’s the telling by Emerick, of his experiences in the recording studio with the Beatles.  His tenure with the band started with the “Revolver” album and went thru “Abbey Road.”   He also tells of his fascination with sound starting in childhood and landing his dream gig at Abbey Road Studios.  That being said, there’s so much more to the book. What began as seemingly random associations of people assigned to various tasks, including recording this band of “kids” emulating musicians (the prevailing attitude of the time), that became full blown relationships is amazing.

While most have heard of the symbiotic relationship between the Beatles and George Martin, I dare say the contributions of Mr. Emerick made to the Beatles is no less important.  In some ways, perhaps even more so.  Let me explain.   Motivated by his fascination with sounds and sheer creativity, Emerick succeeded in pushing the curtain of conventional recording studio wisdom aside to peer into the world of what-if.  His take on microphone placement as well as other ground breaking recording techniques helped define a sound that not only became synonymous with a generation, it set into stone the high recording values of all rock artists since. While the influence of George Martin is undeniable and helped set in motion the musical maturity of the Mop Tops,  I think it’s the sound of the Beatles that non-musicians and musicians find instantly recognizable from any distance.  This ultimately created a phenomena whose sound and influence was greater than the sum of its parts.

The book also gives us insights that to date have merely been speculation at best.  After all, he was there!  Great stories of struggles all around: the band, dealing with celebrity, ego, power, creativity….the studio, dealing with a changing of the musical guard, boundries stretched, (or obliterated in some cases), and subsequent adventures after the Beatles moved on to their solo careers.

In his career, Emerick went on to work with Paul McCartney & Wings, the Zombies, Badfinger, Supertramp, America, Jeff Beck, Robin Trower, Split Enz, and Elvis Costello.  

A great read, check it out.

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Remembering Michael Brecker

Thursday, March 6th, 2008

I was telling this story about the late Michael Brecker to a friend and he suggested that I share it with you. I am fortunate that I could count among my friendly acquaintances the late, great jazz saxophonist, Michael Brecker. Although Michael recorded many solo albums as well as jazz albums with his brother Randy (The Brecker Brothers), he was also one of New York’s first call session players.

At the time of this story, Michael had just released a solo album when Paul Simon asked him to join his Rhythm of the Saints tour. Michael told him no, because he wanted to promote his own music. But when Paul promised him a 15-minute solo spot in the middle of his concert, playing in front of 20,000 people each night, Michael couldn’t turn it down.

The Los Angeles Forum Show

I saw the show at the Forum in LA, and after Paul introduced Michael for his solo, Paul Simon and the entire 11-piece band exited the stage leaving Michael all alone. Michael picked up his Akai EWI and started playing, then using a foot-switch, he triggered some pre-recorded rhythm samples from his Akai S1000 that he then played against. Switching from the EWI to his sax, slowly… one by one… the band members rejoined Michael on stage and started playing. The song built and crescendoed to a spectacular finish as eventually everyone was back on stage, including the six drummers/percussionists.

The Dallas Reunion Arena Show

Now I told you about that show in order to tell you about the next show. Two weeks later, Michael invited me to bring my wife, Lisa, and attend the Dallas performance at Reunion Arena. What a treat - the S. African accapella group Ladysmith Black Mambazo, who sang on the Graceland recording, were in town performing at SMU and they rushed over and joined Paul for the extended 40 minute encore. Michael’s solo seemed inspired that night, and if possible was even better than in LA. The song went from a dizzy, jazzy disjointed feel to a really tight ending.

After the show, Lisa & I went backstage to thank Michael for the tickets. I told him how impressed I was with his solo and congratulated him on the off-beat style that I thought was so much better than the previous time I heard his performance.

How A Little Mistake Made for a Great Performance

He seemed to get a little embarrassed, as he told me that it was a mistake. It seems that he WAS truly inspired, he closed his eyes, got totally involved with the music, turned the rhythm around and inside out, and just let it soar. As far as he knew, he could have been levitating. It wasn’t until he heard drummer Steve Gadd give him an “end the song” cue that he turned around to face the band and realized that this totally grooving engine of a band had no idea where “one” was, much less the turnaround to end the song. He said, “I saw this large group of musicians, all playing away, all looking at me with big round eyes, trying to get a clue where I was going next. The question on everyone’s lips was, where’s one? I showed them the downbeat by moving my sax and punctuating the notes and when I did that Steve was right on top of it. Which is how we all manged to end up together at the end.”

There is probably a lesson here about how listening to the other members of the band can even make a mistake turn out alright, but I’ll leave it for now as my small contribution to the life story of Mr. Brecker.

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Namba Gear Launches MySpace Site

Monday, March 3rd, 2008

Look For The Namba Gear AvatarWe decided that it was time we got with the program and started networking with the largest collection of musicians in cyberspace. Namba Gear is happy to announce that we now have a MySpace presence at www.myspace.com/nambagear,  and our “friends network” is really taking off.

As a result of our new Musicians MySpace, some of the folks from Ableton recently stopped by and expressed an interest in our products and Broadjam just purchased Kava Laptop Studio Bags for all of their employees! Many thanks to all of you guys for your support.

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